Wednesday, January 26, 2011

Hippie Subculture















It was a countercultural movement that rejected the mores of mainstream American life. The movement originated on college campuses in the United States, although it spread to other countries, including Canada and Britain. The name derived from “hip,” a term applied to the Beats of the 1950s, such as Allen Ginsberg and Jack Kerouac, who were generally considered to be the precursors of hippies. Although the movement arose in part as opposition to U.S. involvement in the Vietnam War (1955–75), hippies were often not directly engaged in politics, as opposed to their activist counterparts known as “Yippies” (Youth International Party).

Hippies felt alienated from middle-class society, which they saw as dominated by materialism and repression, and they developed their own distinctive lifestyle. They favoured long hair and casual, often unconventional, dress, sometimes in “psychedelic” colours. Many males grew beards, and both men and women wore sandals and beads. Long, flowing granny dresses were popular with women, and rimless granny glasses with both men and women. Hippies commonly took up communal or cooperative living arrangements, and they often adopted vegetarian diets based on unprocessed foods and practiced holistic medicine. For many The Whole Earth Catalog, which first appeared in 1968, became a source for the necessities of life. Hippies tended to be dropouts from society, forgoing regular jobs and careers, although some developed small businesses that catered to other hippies.

Hippies advocated nonviolence and love, a popular phrase being “Make love, not war,” for which they were sometimes called “flower children.” They promoted openness and tolerance as alternatives to the restrictions and regimentation they saw in middle-class society. Hippies often practiced open sexual relationships and lived in various types of family groups. They commonly sought spiritual guidance from sources outside the Judeo-Christian tradition, particularly Buddhism and other Eastern religions, and sometimes in various combinations. Astrology was popular, and the period was often referred to as the Age of Aquarius. Hippies promoted the recreational use of hallucinogenic drugs, particularly marijuana and LSD (lysergic acid diethylamide), in so-called head trips, justifying the practice as a way of expanding consciousness.

Both folk and rock music were an integral part of hippie culture. Singers such as Bob Dylan and Joan Baez and groups such as the Beatles, Grateful Dead, Jefferson Airplane, and Rolling Stones were among those most closely identified with the movement. The musical Hair, a celebration of the hippie lifestyle, opened on Broadway in 1968, and the film Easy Rider, which reflected hippie values and aesthetics, appeared in 1969. The novelist Ken Kesey was one of the best-known literary spokesmen for the movement, but he became equally famous for the bus tours he made with a group called the Merry Pranksters.

Public gatherings—part music festivals, sometimes protests, often simply excuses for celebrations of life—were an important part of the hippie movement. The first “be-in,” called the Gathering of the Tribes, was held in San Francisco in 1967. A three-day music festival known as Woodstock, held in rural New York state in 1969, drew an estimated 400,000–500,000 people and became virtually synonymous with the movement. Hippies participated in a number of teach-ins at colleges and universities in which opposition to the Vietnam War was explained, and they took part in antiwar protests and marches. They joined other protestors in the “moratorium”—a nationwide demonstration—against the war in 1969. They were involved in the development of the environmental movement. The first Earth Day was held in 1970.

By the mid-1970s the movement had waned, and by the 1980s hippies had given way to a new generation of young people who were intent on making careers for themselves in business and who came to be known as yuppies (young urban professionals). Nonetheless, hippies continued to have an influence on the wider culture, seen, for example, in more relaxed attitudes toward sex, in the new concern for the environment, and in a widespread lessening of formality.


(http://www.britannica.com/EBchecked/topic/266600/hippie)

Woodstock 1969: A Retrospective

Watch Hippies Documentary

Hippie Photo slideshow video

http://www.last.fm/music/Jefferson+Airplane

Punk Subculture









The punk subculture emerged in the United States, the United Kingdom, and Australia in the mid-1970s. Exactly which region originated punk has long been a major controversy within the movement.

Early punk had an abundance of antecedents and influences, and Jon Savage has described the subculture as a "bricolage" of almost every previous youth culture that existed in the West since the Second World War "stuck together with safety pins".Various philosophical, political, and artistic movements influenced the subculture. In particular, punk drew inspiration from several strains of modern art. Various writers, books, and literary movements were important to the formation of the punk aesthetic. Punk rock has a variety of musical origins both within the rock and roll genre and beyond.


IDEOLOGY: Although punks are frequently categorized as having left-wing or progressive views, punk politics cover the entire political spectrum. Punk-related ideologies are mostly concerned with individual freedom and anti-establishment views. Common punk viewpoints include anti-authoritarianism, a DIY ethic, non-conformity, direct action and not selling out. Other notable trends in punk politics include nihilism, anarchism, socialism, anti-militarism, anti-capitalism, anti-racism, anti-sexism, anti-nationalism, anti-homophobia, environmentalism, vegetarianism, veganism and animal rights.


FASHION:

Punks seek to outrage others with the highly theatrical use of clothing, hairstyles, cosmetics, tattoos, jewelry and body modification. Early punk fashion adapted everyday objects for aesthetic effect: ripped clothing was held together by safety pins or wrapped with tape; ordinary clothing was customized by embellishing it with marker or adorning it with paint; a black bin liner became a dress, shirt or skirt; safety pins and razor blades were used as jewelry. Also popular have been leather, rubber, and vinyl clothing that the general public associates with transgressive sexual practices like bondage and S&M.

Punk fashion in the early 1980s

Some punks wear tight "drainpipe" jeans, plaid/tartan trousers, kilts or skirts, T-shirts, leather jackets (which are often decorated with painted band logos, pins and buttons, and metal studs or spikes), and footwear such as Converse sneakers, skate shoes, brothel creepers, or Dr. Martens boots. Some early punks occasionally wore clothes displaying a Nazi swastika for shock-value, but most contemporary punks are staunchly anti-racist and are more likely to wear a crossed-out swastika symbol. Some punks cut their hair into Mohawks or other dramatic shapes, style it to stand in spikes, and color it with vibrant, unnatural hues.

Some punks are anti-fashion, arguing that punk should be defined by music or ideology. This is most common in the post-1980s US hardcore punk scene, where members of the subculture often dressed in plain T-shirts and jeans, rather than the more elaborate outfits and spiked, dyed hair of their British counterparts.


MUSIC: The punk subculture is centered around listening to recordings or live concerts of a loud, aggressive genre of rock music called punk rock, usually shortened to punk. While most punk rock uses the distorted guitars and noisy drumming that is derived from 1960s garage rock and 1970s pub rock, some punk bands incorporate elements from other subgenres, such as metal (e.g., mid-1980s-era Discharge) or folk rock (Billy Bragg). Different punk subcultures often distinguish themselves by having a unique style of punk rock, although not every style of punk rock has its own associated subculture. Most punk rock songs are short, have simple and somewhat basic arrangements using relatively few chords, and they use lyrics that express punk values and ideologies ranging from the nihilism of the Sex Pistols' "No Future" to the anti-drug message of Minor Threat's "Straight Edge". Punk rock is usually played in small bands rather than by solo artists. Punk bands usually consist of a singer, one or two overdriven electric guitars, an electric bass player, and a drummer (the singer may be one of the musicians). In some bands, the band members may do backup vocals, but these typically consist of shouted slogans, choruses, or football(soccer)-style chants, rather than the arranged harmony vocals of pop bands.

WATCH PUNK DOCUMENTARY 1976

The above video link features largely around the punk rock music scene and contains

interesting interviews with the Sex Pistols.


“Undermine their pompous authority, reject their moral standards, make anarchy and disorder your trademarks. Cause as much chaos and disruption as possible but don’t let them take you ALIVE.”

Sid Vicious quote

http://www.last.fm/music/Sex+Pistols


Subcultures

A youth subculture is a youth-based subculture with distinct styles, behaviors, and interests. Youth subcultures offer participants an identity outside of that ascribed by social institutions such as family, work, home and school......Youth subcultures are often distinguished by elements such as fashion, beliefs, slang, dialects or behaviours. Vehicles — such as cars, motorcycles, scooters or skateboards — have played central roles in certain youth subcultures. In the United Kingdom in the 1960s, mods were associated with scooters while rockers were associated with motorcycles. Specific music genres are associated with many youth subcultures, such as punks, ravers, metalheads and goths. The study of subcultures often consists of the study of the symbolism attached to clothing, music, other visible affections by members of the subculture, and also the ways in which these same symbols are interpreted by members of the dominant culture. (http://en.wikipedia.org/wiki/Youth_subculture)

"Everything we do not have to do"

Just into week two of the module. It seems like it's going to be very interesting and i'm looking forward to the topics we will be covering in the following weeks. There are lots of enthralling definitions and writings based around the concept of culture but at the end of the day we have to try and strive to find one distinctive meaning to describe it. So what is CULTURE?

In class culture was defined as "Everything we do not have to do." When you think of it this description of culture is the simpliest and most accurate way to illustrate it. Culture is based around the choices we make, how we choose to express ourselves, our ideas, our morals and our tastes. And when we take a collectively look at culture on a mass scale is when things really start to get interesting. This will take us to the next section- Subcultures.

Here it goes again :)

In conjunction with my Culture,Society and Creative Media module this year I will be reviving my old blog from first year... So here it goes again!

Tuesday, April 28, 2009

Welcome to the Riddlescribble blog! Don’t expect to find yourself immersed in every tedious tiny detail from my everyday life because, let’s be honest, that’s just hugely boring and I don’t think you really care about what I ate for breakfast. …

Instead you will find stuff… because stuff is good… Enjoy!

Monday, April 27, 2009

RADIO SCRIPT: THE BIG JOB





RADIO SCRIPT: THE BIG JOB PAGE ONE

AMBIENCE: PUB BACKGROUND WITH GLASSES CLINKING,

PEOPLE CHATTING AND LAUGHING.

1.BIG TOMMY: Well if it isn’t ALEC NEVILLE!

2 . ALEC: You ‘right Tommy. What can I do for you ?

3. BIG TOMMY: Leave it out! You know why we’re here.

4. ALEC: What? I don’t know what you’re talking about Tommy.

5. BIG TOMMY: So you thought you could fool us, eh?

6. ALEC: Tommy what are ya on about?

7. BIG TOMMY: The corn on the cob!

8. ALEC: The what?

9. BIG TOMMY: THE JOB! (SHOUTS)


AMBIENCE: THUDDING NOISE RINGS OUT ACCROSS THE ROOM.

A HUSH FALLS OVER THE BAR.

10. ALEC: The Winston Job? I don’t know a thing....Look, we don't have to have a bull about it now do we?

11. BIG TOMMY: Use your crust, lad. All we want is the money back and then you can scarpa on back to the old trouble and strife.

12.BOBBY THE BUTCH: Yeah, Hand over the bees Alec and everything will be dandy.

RADIO SCRIPT: THE BIG JOB PAGE TWO

13. BIG TOMMY: Yeah, you heard ‘em. Now the guv ain’t happy about this little situation...

(PAUSE)

.....BUT I’ve convinced him to go easy on you, since you used to be one of the lads.

14. ALEC: I DON’T HAVE IT! I know nuffin Tommy, I SWEAR! (NERVOUS)

15.. BIG TOMMY: Come on now, we both know you're talking cobblers boy! Bobby, have a butcher at that...What dya think. How many of those pretty teeth do we have to pull before we get the truth around here!

16.ALEC: Okay, okay. I'll tell ya ... Bernard Clyde... He’s your man.

17.BIG TOMMY: What? That Bertie Woofter! (LAUGHTER)

18. ALEC: Yeah, He’s the one that you really want. Believe me Tommy. I wouldn’t lie to ya now would I?

19. BIG TOMMY: I suppose you know better Alec. Alright sweetheart, get your things- You’re coming with us.

AMBIENCE: CHATTERING AND NOISE RETURNS TO PUB AS THE ENTRANCE DOOR SLAMS SHUT.



If you want to rabbit on like a true Cockney, why not check out this website:
http://www.cockneyrhymingslang.co.uk/rabbit